Latest Posts

Julie Floyd March 8, 2010

The Perfect Part

handsNot all shots are created equally in baby parts collages.  In order to take artful shots, you really need to think about what part will be in the shot.

For me, first on the “must have list” is a picture of the baby’s entire face.  In a grouping of nine, I always like this shot in the middle.  Next you need chubby little hands, hopefully in a lighting scenario that clearly shows off their indented knuckles.  I try to get a shot of one hand by itself and also a shot of both hands together.  A shot of the baby’s feet, generally together, is also a must.  I like to shoot the front and backs of their feet.  Never again will the skin on the bottoms of their feet be so perfect!  I try to capture their feet as they naturally place them instead of trying to hold them in a particular position that isn’t natural for the baby.  These forced shots tend to look…well…forced.

I always try to get a shot of the baby’s cheek and eyelashes looking down, and a shot of the baby’s sparkling eyes looking up out of the photograph.  A shot of their pudgy little derriere and tummy complete with belly button are also musts.  Completing the must haves are a picture of that yummy little spot right behind their ear that is so fun to nuzzle. This shot will often include wispy hair curling at the nape of their neck and their perfect little shell of an ear.

I use white sheeting as the backdrop for all of these shots.  I just lay it on the ground near a window and plunk the baby right on top of it.  A reflector will help fill in any shadow areas that get too dark.

Next week….what to look for when composing your baby parts shots.

Share
Julie Floyd February 22, 2010

More on Parts and Pieces

Macro lenses are very difficult to work with.  If your subject moves a hair, it will throw your focus off and you will need to pull another one. There is no good way around this but to practice, practice, practice.  To gain better control over your macro lens, practice on other immovable objects around your home before bringing out the baby.  It is essential to have a good and fast auto focus feature on your camera.  You simply cannot manage to manually focus your camera for these shots.

 Focusing a macro is most successful if you find an area in your viewfinder that has a lot of contrast.  If the baby’s eyes are in the photo, pull your focus on the closest eye to the camera and try to focus on the contrasty lashes or the rim of the iris.  The eyes must be in focus for a successful shot, even if nothing else in the photo is.  If you try to pull your focus on an area of uniform skin, you will have little success.  

 Once you have pulled your focus, recompose your shot.  Be careful though.  Tiny movements in your hands as your recompose can throw the shot hopelessly out of focus!

 Taking macro photos of a baby’s parts is very challenging.  You must be concerned with light, composition, and focus and all must be perfect for an artful shot.  All this while your baby is wriggling and rolling all over the place!

Share
Julie Floyd February 16, 2010

Try parts and pieces!

babypartOne of the things I am best known for in my industry is my “baby parts” collages.  I conceived of these when my third child was born over 14 years ago.  As I sat in the chair in his bedroom, rocking him to sleep one afternoon, I marveled at the sweetness of his little body…..tiny, perfectly formed ears, chubby little hands with dimpled knuckles, soft, sweet whispers of hair curling around the nape of his neck, the swell of his tubby little belly.  I knew that I would soon forget how all those sweet little parts looked, as my son grew up like my sons before him.  In an instant, those sweet little toes turn into the battle-scarred toes of a busy, athletic teen.  I knew that I needed to somehow capture those features before it was too late.

 Baby parts were born the next day when I followed my then crawling son all over the house, with a close focus (“macro”) lens, trying to pull a tight focus on one part at a time.  If you have ever worked with macro lenses, you know that this is no small feat (no pun intended!).  Macro lenses are built for focusing on still life objects like flowers, and to be used with tripods.  Babies are anything but still life!  Tripods and babies simply do not mix!

 In order to quickly adapt to changing light conditions, I used 3200 speed film for its ability to take good pictures in low light situations.  This film turned out to be the perfect film for “baby parts” as it produces  dreamy, ethereal, grainy images.  The images look like pencil sketches when enlarged into prints.  The macro lens and the 3200 speed film are what we use to this day in our studios to produce our signature look.  This is nearly impossible to reproduce with digital cameras.  More on how to produce these images next week!

Share
Julie Floyd February 3, 2010

I Am Obsessed with Photo Books!

Another really cool thing you can do with digital images is to make photo books with the images.  For my son’s 16th birthday, I gave him a photo book, showcasing all of the best photos we took of our trip together to Rome and Capri.  For Christmas, I gave my sister a book of photos, complete with copy, detailing her daughter’s 5th year of life.  I took my niece to the beach and for ice cream and got enough really terrific shots of her to fill a book.  Our annual family summer vacation to Lake Tahoe is now memorialized in a photo book.  Gone are all the messy 4×6 photos that somehow never make it into an album! Gone are all the struggles with plastic photo pockets in which to insert prints!

 I am currently in the process of chronicling each year of my 3 year old’s life with a fantastic photo book for just that year. I am inserting key details of who he was/is at each point in time.  You think you’ll never forget them, but you will. I am excited that when my son is through his “little” years, he will have a multi-volume set containing the best photographs of each year and each with a story about what he was like.  What a great gift to give him!

 In the last year or two, there has been a virtual explosion of on line companies that have developed consumer based book making software.  These companies turn out amazingly good products.  Because I offer photo books to the clients of my studio, I have done a lot of research and testing to find the best companies to use for high quality, low cost and easy to make books.  My two current favorites are MyPublisher.com and Blurb.com.  Neither of these companies requires the use of a Photoshop interface and each are very easy to use.  I like the print quality of MyPublisher slightly better, but Blurb offers more sophistication in terms of the choices available to the creator.  Blurb will take you a little longer to get good at, but the payoff comes with the greater creative freedom.  Both of these companies are head and shoulders better in terms of print quality than the large online, consumer based photo stores such as Snapfish and Kodak Gallery

Share
Julie Floyd January 22, 2010

Off Center and Off Balance

anaforgigglekellenforgiggleOff Center and Off Balance

Most images that we see have the subject dead center in the photograph.  This is often the most effective way to get the largest possible picture of the subject of the photograph.  It is also how your brain thinks.  It is natural to have your first instinct being to center your subject and to capture that subject as you see it in life, straight up and down.  Always shooting this way, however, can get a little dull.

For a fun, unexpected twist in some of your photos, try either tilting the camera a bit so that the subject is not straight up and down, or try pulling your subject off center in the photograph.  When done in the right situations, these techniques can grab more attention for your subject and lead to a more powerful image.  They have the affect of catching the viewer off guard and they may pause to look at your photograph longer.

Share
Julie Floyd January 4, 2010

Happy New Year Everyone!

Caribbean Sunset

I love the start of a brand new year!  So much potential.  So many possibilities.  Also, the end of another crazy busy holiday season for my studios.  Welcome 2010!

My husband turned 50 just before Christmas and took me, our four boys, his two sisters, a nephew, our son’s girlfriend and one of my husband’s lifelong best friends, sailing in the Caribbean.  Above is one of the incredible sunsets we all marveled at.  Of course, my camera was my constant companion and I went a little crazy being the shipboard photographer.  Now I’m going a little crazy with the images.  So many possibilities!  I can’t wait to start making photo books from the images for all in our little party.

It seems that the number of companies out there offering to help you create and print photo books is growing by the month.  Since we offer photo books as an option for studio customers, I have stayed really on top of this and have studied and sampled books from a wide variety of companies. 

My absolute favorite companies for creating books from digital images are www.mypublisher.com  and www.blurb.com.  They both have very simple and easy to use software that you can download onto your desktop for free.  Neither requires the use of Photoshop or other image editing software.  Blurb has many more options as far as integrating text in unique ways and endless options when it comes to image and text placement, but, for that reason, is a little trickier to learn and use.  MyPublisher beats Blurb when it comes to image quality.  Blurb has nice image quality, but tends to make images darker than they should be.  MyPublisher is always spot on.  Both of these book sources are fairly inexpensive, but pricier than companies like Kodak Gallery and Snapfish.  Photobooks, whoever helps create them, are a wonderful way to get memories off of your computer and on your book shelves and they make absolutely wonderful gifts!

Share
Julie Floyd December 8, 2009

Miraculous Newborns

Beautiful Brady
Beautiful Brady

 

Yesterday, I had the honor of photographing a 13 day old baby named Brady.  I photograph newborn babies a lot, but it never ceases to amaze me what a miracle a newborn baby really is.  Newborn babies are so pure in their goodness.  They are 100% potential and completely untouched by the coarser features of the world we live in.

That is why newborns are one of my favorite ages to photograph.  It is an amazing gift to give your child.  Capture them when they are brand new to the world.  How wonderful to be able have an artful record of the very beginning of that miraculous human life.

Try to capture your newborn on film before they are two weeks of age.  The sixth day is actually my “target” day if that is possible.  You may not be up for doing the photography only six days after giving birth, but maybe your sister or husband can do it.  You might also seek out a pro whose newborn work you admire.

Six days is just about perfect, because they sleep a lot!  Sleeping shots of newborns are just extra wonderful.  When they are sleeping, you can move them around to get darling little “poses” and their faces are so serene.  Also, at six days, their skin generally has not yet broken out in newborn acne.  Many babies, at around the 2 week mark, have bouts of baby acne that can last for months.  At six days they are also really flexible, having just been all curled up in the womb.  You can gather them up in little sleeping balls in daddy’s big hands for wonderful shots.

I turn the heat up really high, like 85 degrees, because my favorite shots of newborns are those in their birthday suits, and babies will not be comfortable naked if it is even slightly chilly.  Somehow, all those adorable newborn outfits you bought for months prior to the baby’s arrival just serve to cover up that gorgeous baby. You’ve heard me say it before, but it is just so not about the clothes!  Be prepared with paper towel and wipes, however, because a diaperless newborn is not for the faint of heart!

Share
Julie Floyd December 2, 2009

Just say No to props!

Being the sixth of six kids, I have very few photos of myself growing up. Of the rare photos of myself that does exist, is a photo of then 5 year old me holding a plastic K-Mart Easter basket full of brightly colored plastic eggs, complete with green plastic grass.  My mother, god love her, made the center of the photograph those eggs, and most of me and my then angelic face were cropped out of the photograph. 

 How ironic that when we look back on our photos years later, it is so not the “stuff” that we are interested in. I mean, what possessed my mother into thinking we would want to see those ubiquitous eggs years later….and at the expense of seeing the expression on my face?  The answer is that she just clearly wasn’t thinking. At the moment, sometimes it seems that it is all about the stuff….what present we received from Auntie Ruth or the adorable Panda Bear that the child is fond of that week.  But truly, what we all want to see later is the child, the relationships between family members, and the expression and personality of our families.

In my studios and in my home photography, I try to really limit any props.  Big ole teddy bears, rocking horses and my personal favorites, the oversized Crayola crayon and gum ball machine do absolutely nothing to enhance photographs and do everything to detract.  Children are so spectacularly beautiful on their own and anything else in the photograph merely serves to pull attention away from them.  Granted, it is sometimes way easier to photograph a newly walking one year old if you sit them in an “oh so cute” white rocking chair, but the result is so staged looking and attention is drawn away from the child.  I would rather work really hard at capturing them proudly doing their little “drunken sailor” walk.  The extra effort will be so worth it!

Share
Julie Floyd November 20, 2009

Oh, What to Wear?

One of the most frequently asked questions in my studio by families contemplating taking a group shot is what to wear?  What will look the best in the photograph?  Too match or not to match, that is the question!

Of course, the answer to this question in highly subjective.  I am generally adverse to families trying to be too “matchy, matchy”.  For example, a family of six sitting for photos dressed in blue jeans and a white turtleneck.  Even when it is just a baby and two parents all wearing the identical uniform, this look is just a little too “put on”, and a little too 1980’s.

For group shots, I generally recommend that families try to coordinate, but stay away from outfits that look like they were purchased just to match.  For example, everyone might wear jeans, but vary their shirts and sweaters to some extent to show off their own individual style and preferences.  I would avoid having anyone choose anything heavily patterned, as they will pop more than others in the photograph.  Try to keep everyone’s dress consistent by season.  For instance, if one is wearing a Shetland wool sweater, someone else should not wear a white, short sleeved t-shirt

Share
Julie Floyd November 11, 2009

The Elusive Group Shot

There is almost nothing harder to capture in portraiture than a group shot!  Even under the best of circumstances, group shots are often more documentary than art.  I always tell my clients that there is an inverse relationship between the number of people in a portrait and art.  As you increase the number of people in a portrait, the less your portrait is art and the more it becomes documentary only.  When you start to have 5 or more people in a portrait, your loftiest goal starts to become just capturing everyone with their eyes open!

Documentary images have their purpose.  It is great to see what people look like relative to one another at any point in time.  If, however, you are looking for a photo that can serve as artwork on your walls, you need to beef up the artful qualities of your portrait.

My number one secret to great group shots is to always have at least one helper, preferably more.  In my studio, we always shoot in pairs, and sometimes pull in others depending on the challenges involved.  You, as the shooter, need to remain behind your camera, poised to shoot at the most opportune moment.  Your helper can help position the subjects, tend to hair and clothing issues, and, most importantly with kids, provide the entertainment necessary to keep your small subjects from hastily leaving the scene.

In my studio, we will do virtually anything to keep kids wildly entertained while we are getting their group photo.  We do peek-a-boo “shows” from behind the shooter, show them crazy jumps, tell amazing, animated stories, sing songs in silly ways, balance shoes on our heads and a hundred other things that are unexpected to get them to stay still together, even if just for a minute.  Kids are often just in awe of us because they have never really seen adults interact with them to that degree on their level.  Their response is incredible.  We get natural laughs and smiles and, very importantly, get them all looking in the camera lens at the same time.

One of the real challenges is getting a great group shot when the kids are very different ages.  Oftentimes, we will get a baby of 7 months, a 4 year old and a 10 year old, all together.  This is a huge challenge because they are all entertained by far different things.  The baby might love the goofy sounds we make or our peek-a-boo show, but the 4 and 10 year olds will likely find that boring.  As a mom, you may find yourself giving your 4 and 10 year old stern, impatient warnings to “just stay still,” because they “should know better,” while you try to make your baby laugh.  This is when the group shot really starts to be work and not fun for you or them.  This often ends with tears, most likely yours, and is precisely why the annual holiday card shoot is such a daunting task.

The best solution to this is to find one or two friends that can help you get the shot you want.  You can be behind the camera and your friends can help distract the kids from wanting to run away and do their own thing.  You may need to be behind the camera, alternatively making silly faces for your baby, while your friend stands behind you doing something that makes your older kids laugh.  You may need a third friend to keep the kids from squirming out of position, keep their hair behind their ears, and straighten out their clothing.

You just need to be prepared to exercise endless patience, and work really hard at staying focused on the task at hand.  You can’t let your kids “push your buttons”.  If you do not let yourself turn into Attila the Hun, your kids will have more fun and your group shot is likely to show it!

Share
Pingg Invitations
Advertise Here